 |
| www.CriticaTeatral.com.ar |
| | |||||||||||
| |||||||||||
 | Cortázar's story | ||||||||||
| | work written and directed by Melissa and Ana Hermida Lidejover | ||||||||||
| "You'll see that from tomorrow the game is over" Julio Cortázar. The first impression is quite playful, space strewn with artificial fruit lying essence of tangerine, a table on which there are piles of books in the library Robin Hood, a light that appears as fiction and mandarins ... all this prepares us for a game. The names, flowery clothes, the dance steps build what universe? Gradually articulates the story, with pieces that seem to combine a whole and with fragments that are struggling to blow steadily and avoid a possible total. But there happens to be, as in Cortázar's story, some instance of threat, slight, imperceptible air of gathering storm. and moving objects as signs, or redefine or change of owner. Then the unstable part: the story is told and that leaves half the expectation of an explanation. Ana Scannapieco, Sabrina Gomez Magdalena Grondona and build three characters that seduce, seducing, that move. The rules are a bit strange but, as in the boys game, mutate, transfigure and accepted almost without protest. When the game is to reach the end, we put together bits of old history, history that is not part of the game but of the tragedy. And you are part of our childhood. And we hope that in some universe of those who build the micro never took place. As expected the Netherlands and the narrator that Ariel is sitting across the train. Monica Berman CAST: Sabrina Gomez | ||||||||||
